It gives an opportunity to undertake an in-depth investigation into a topic of film of particular interest
tell stories, create emotional response, give information
Research topic
must clearly focus on film or television(obviously)
What sources can I use?
Primary – film, script, screenplay, score, and personal contact or correspondence with individuals involved in making the film
Secondary – journal/magazine articles, reviews, DVD extras, promotional material, and internet material
Criteria
Criterion A – topic, research question, methodology
Criterion B – context, subject specific terminology and concepts
Criterion C – research, analysis, discussion, evaluation
Criterion D – structure, layout
Criterion E – reflections on planning and progress
Summary
The film extended essays assess our ability to tell stories, create emotion, and give information based on research of a topic that interests us and will be graded based on certain criteria.
By May 10th, as part of Team 1, I will explore the realm of post-production audio by following Techniques for ADR: How to record dialogue in post-production by the Videomaker website and will have created audio that match the dialogue and atmosphere for our session 5 film project.
PRE-PRODUCTION – INQUIRY
Leader(s) in the Field / Exemplary Work(s)
Theo Green – an ASCAP Award-winning British composer and Oscar winning sound designer. He is known for his music for The Gambler, House at the End of the Street, his Academy Award nominated sound design for Blade Runner 2049. and his Academy Award winning sound design for Dune. – Wikipedia