“broken-computer- edited” by an-e is licensed under CC BY 2.0 
.
SUMMARY
Role
Editor
Intention (SMART Goal)
By November 1st, as part of team 6, I will have evidence of organized shots, audio, and timeline by following The 7 Laws of Film Editing.
PRE-PRODUCTION – INQUIRY
Leader(s) in the Field / Exemplary Work(s)
Michael Kahn – an editor who has been nominated at the Academy Awards 8 times for Best Film Editing and has won 3 of them.
Training Source(s)
| Cue | Notes |
| 7 laws | Watch every frame of raw footage, at least twice, then start |
| Nurture your relationship with the director | |
| Find any shot instantly. Organization is paramount | |
| Factor in extra time for renders, exports, errors, and crashes | |
| Attempt edits that shouldn’t work | |
| Spend more time on audio | |
| Cut for the scene but always in context for the whole film |
Project Timeline
| Day | Task |
| 1 | Story board |
| 2 | Story board |
| 3 | Begin filming |
| 4 | Finish filming |
| 5 | ADR |
| 6 | ADR |
| 7 | ADR |
| 8 | ADR/Edit |
| 9 | Edit |
| 10 | Edit |
| 11 | Edit |
| 12 | Edit |
| 13 | Make sure everything is done and finish film |