By May 10th, as part of team 7, I will explore and implement elements regarding both diegetic and non-diegetic sounds into my team’s film by following the book Cinematic Storytelling by Jennifer Van Sijil.
Cinematic Storytelling Elements
35. Realistic Sound (Diegetic) (Character)
Realistic sound, or diegetic sound, is sound that would logically fit into audio depicted on the screen. In other words, it is sound that even the characters in the film can hear. For character specific diegetic sound, the sound is used to reveal charater.
Emotional responsive diegetic sound is another type of realistic sound that is used to evoke an emotional response.
37. Expressive Sound (Diegetic) (Outer World)
Expressive sound is another type of diegetic sound that has been altered to create a dramatic effect.
38. Surreal Sound (Meta-Diegetic) (Inner World)
Surreal sound is the sound that is in the characters’ head. It is used in order to, again, create a dramatic effect.
Test Recordings
Background chatter is present
For final recordings, make sure area is fully clear before recording
Record multiple takes to find the best one
Equipment Checklist
Audio deck
Audio deck Cord
Boom mic
Boom mic pole
Computer
Premiere Pro
Soundtrap
Recording Workflow
Steps for set up:
Carry equipment to location, unconnected
Attach cord to both audio deck and mic pole on the spot
Do a test record and start filming!
Location Maps
Foley Sounds
Shoes walking
Papers shuffling
Phone notification
Outdoor room tone
Indoor room tone
Discussions with Director
We decided to use no soundtrack to surround the main character with attention without taking any away.
Influences from Films
North by Northwest – Sound designed by Bernard Hermann
When the camera cuts back to the character after it shows the plane, you can still hear the plane sounds. I would like to use this sort of thing as well in our upcoming film.
What I Learned and Problems I Solved
I learned the different types of diegetic and non-diegetic sound, as well as how to incorporate them into our film.
