March 27 Weekly Work Log

Session Number 5
Week Number 3
Total Estimated Hours Contributed this Week: 5
What was your overall goal for this week? Finish portfolio pages

Work Tasks 

Date Task Description Time Spent Was this a Best Practice? 
3/27Start second portfolio write up1 
3/28Pull sources from previous blog posts1 
 3/29Start putting reel together 1 
 3/30Finish putting reel together 1 
 3/31 Continue portfolio write up 1 

Personal Comments (Optional) 

Are there any other comments you would like to include? If so, please enter them here: 

March 20 Weekly Work Log

Session Number 6
Week Number 2
Total Estimated Hours Contributed this Week: 5
What was your overall goal for this week? Finish 2 films and start on Film portfolio write up

Work Tasks 

Date Task Description Time Spent Was this a Best Practice? 
3/20Finish filming second film, start editing1 
3/21 record adr1 
 3/22record adr  1 
 3/23 complete editing first film 1 
 3/24 complete editing second film 1 

Personal Comments (Optional) 

Are there any other comments you would like to include? If so, please enter them here: 

March 13 Weekly Work Log

Session Number 5
Week Number 1
Total Estimated Hours Contributed this Week: 5
What was your overall goal for this week? Shoot scenes for 2 mini films for film portfolio.

Work Tasks 

Date Task Description Time Spent Was this a Best Practice? 
3-13Brainstorm and storyboard both films1 
3-14Start recording first film1 
 3-15 Finish recording first film 1 
 3-16 Start recording second film 1 
 3-17 Finish recording second film 1 

Personal Comments (Optional) 

Are there any other comments you would like to include? If so, please enter them here: 

Preparing a Film Pitch TEMPLATE

LOGLINE

  • Person tries to impress someone by doing a noble task

PROTAGONIST

  • person 1 has interest in person 2
  • gets bullied, doesn’t have many friends

PROTANGIONST CORE WOUND / MOTIVATION 

  • get the girl / prove everyone wrong

GENRE

  • comedy
  • List other films in this genre that inspire or are influencing your film element choices

PLOT DESCRIPTION

  • In the beginning, person 1 is seen getting made fun of , then they see a person who is attractive to them.

TREATMENT

  • Complete a paragraph describing the protagonist’s world
  • This description helps the team build a better, more believable world
  • You may include wardrobe, family, friends, food choices, habits, hang-ups, etc.

INFLUENCES and EXAMPLES

  • List directors or other filmmakers FROM YOUR CHOSEN GENRE you are using for research and inspiration
  • List scenes FROM YOUR CHOSEN GENRE you are using for research and inspiration
  • Embed video clips of scenes that may influence or inspire stylistic choices in your film

Collaborative Film Production Project

SUMMARY

Role

Sound Designer

Intention (SMART Goal)

PRE-PRODUCTION – INQUIRY

Leader(s) in the Field / Exemplary Work(s)

Christopher Boyes – He is an American sound engineer who has been nominated for 14 academy awards an has won 4 of them.

Training Source(s)

CueNotes
ambiancethe background noise that sets a scene.
foleythe sounds of actions that makes scenes more real
audio effectssounds created because they don’t exist in the real world
voice overthe voice of a narrator who is either a character or an unseen narrator driving a story forward
musicincludes songs and instrumental pieces that influence mood and help the story

Project Timeline

Proposed Budget

Sound Design Equipment

  • Audio Deck
  • Audio Deck Cord
  • Boom Mic pole
  • Boom mic
  • Boom mic carrying case
  • Boom mic pole carrying case
  • Lights(x2)
  • Lights carrying case(x2)
  • Extra Lights batteries(x2)
  • Light stands(x2)
  • Camera
  • Camera carrying case
  • Extra camera battery
  • Camera Stand
  • Camera stand carrying case

PRODUCTION – ACTION

The (FILM, SOUND, or GAME Creation)

Skills Commentary

POST-PRODUCTION – REFLECTION

21st Century Skills

Ways of Thinking (Creativity, Innovation, Critical Thinking, Problem Solving)

Ways of Working (Communication & Collaboration)

Tools for Working (Info & Media Literacy)

Ways of Living in the World (Life & Career)

Reactions to the Final Version

Self-Evaluation of Final Version

Grammar and Spelling

Editor

IB Comparative Study Worksheet: TEMPLATE

“Film scripts for sale in Soho! #newyork #newyorkcity #nyc #movies” by Nat Ireland is licensed under CC BY-NC 2.0

Summary

A guide to planning, researching, and creating your Film Comparative Study

  • Follow the directions for each step below
  • Include for your work where it is required

Student Work

Guidance for Your Work

https://youtube.com/watch?v=5GVyf2UDWsc%3Ffeature%3Doembed
https://youtube.com/watch?v=F24rKFVlB2Q%3Ffeature%3Doembed

“Simple formative analysis of film elements, no matter how precise or insightful, won’t cut it which is why the research question needs to be crafted in such a way that it provides scope for theoretical and socio-historic exploration. It’s basically an EE in disguise but focusing on two very different textual sources.”

Steps and Tasks

  1. Brainstorm possible films for the task. You must select TWO films from contrasting cultural contexts.
  2. Brainstorm and justify at least three different areas of FILM FOCUS for your two chosen films.
  3. Brainstorm and justify at least two different CULTURAL CONTEXTS for your two chosen films.
  4. Consolidate your ideas and develop at least three different RESEARCH QUESTION topics for your study.
  5. Finalize your choices and select your RESEARCH QUESTION. Choose two films for comparison.
  6. Develop the main arguments you will make about your topic.
  7. Collect evidence from the films that support your argument.
  8. Research secondary sources for information that supports your argument.
  9. Write your Narration and plan the audio-visual components of your video essay.
  10. Recordassemble, and edit your Comparative Study Video Essay.
  11. Create a Works Cited document (separately) once your Comparative Study is finished.

Comparative Study Task Components

For this assessment task, each student identifiesselects, and researches each of the following task components.

  1. TASK 1: One area of film focus.
  2. TASK 2: Two films for comparison from within the chosen area of film focus, one of which originates from a contrasting time (historical) or space (geographical) to the personal context of the student, and the other film identified for comparison must arise from a contrasting cultural context to the first film. Students are required to select films they have not previously studied in depth. The selected films cannot come from the prescribed list of film texts provided for the textual analysis assessment task and, once selected, the films cannot be used by the student in any other assessment task for the DP film course or the extended essay.
  3. TASK 3: A clearly defined topic for a recorded multimedia comparative study, which links both the selected films and the identified area of film focus. Each student should invest time in researchingdeveloping, and honing their topic (which in most cases is likely to be expressed in the form of a research question) to ensure it is clear, focused and concise, in order to provide them with the maximum potential for success in this task. The topic should seek to enrich the student’s understanding of the chosen area of film focus and should avoid a plot-driven approach to the comparison.

The assessment criteria for this task requires students to provide a strong justification for the choice of task components as part of the recorded multimedia comparative study. This includes the student’s justification for how films arise from contrasting cultural contexts.

1. FILM Choices List

  • Set a timer
  • How much time did you spend:  ? 
Which films are you considering for your final Comparative Study? List as many as you wish below as part of an initial brainstorm. Remember that you must select ​​TWO​​ films from contrasting cultural contexts for this task.e.g. CITIZEN KANEYear, Country, and Director of the film.e.g. 1941, USA, Dir: Orson Welles

2. Areas of FILM FOCUS

Film Focus Possibility – identify the broad focus area and then add specifics (e.g. “THEORY – Auteur theory” or “GENRE – Horror”). Develop at least THREE options…you can create more by adding more rows.Justification for this Film Focus. Be as specific as possible.

3. Chosen CULTURAL CONTEXT

  • Set a timer
  • How much time did you spend:  ? 

For this assessment task, “cultural context” involves consideration of some of the following factors, some of which may be blended (such as socioeconomic factors).

  • Economic, Geographical, Historical, Institutional, Political, Social, Technological
Identify at least TWO Cultural Context possibilities for your chosen films.Justification for this Cultural Context. Be as specific as possible.

4. RESEARCH QUESTION Possibilities

  • Set a timer
  • How much time did you spend:  ? 

Consolidate your thoughts above and develop at least ​THREE​​ different research question possibilities. More are possible by adding additional rows to the table below. FYI these will be shared with the full class for discussion of strengths and weaknesses.

Your Chosen Area of Film FocusTopic for Comparative Study (written as a research question)

5. Final Decisions

  • Set a timer
  • How much time did you spend:  ? 

Using your topic options in the table above, select ​ONE​​ to be your final topic for this Comparative Study task. NOTE: There are examples from the IB of what this should look like below this table.

Your Chosen Area of Film FocusFilm 1Film 2Contrasting Cultural ContextTopic for Comparative Study practice task (written as a research question)

6. Developing Your Topic

  • Set a timer
  • How much time did you spend:  ? 
Develop 3-5 main arguments that can be made about your topic based on your research question and chosen film focus.Brainstorm how you could support these arguments within your video essay.

7. Selecting Supporting Evidence (Primary)

  • Set a timer
  • How much time did you spend:  ? 
Identify at least 15 scenes from your chosen films that will help support the arguments you have outlined above. Screen clip a frame from each scene below.Write notes about how this scene helps support your argument. (These notes will help form your voice-over narration.)

*Add more rows as needed.

8. Selecting Supporting Evidence (Secondary)

  • Set a timer
  • How much time did you spend:  ? 
Identify at least 3-5 secondary sources (articles, books, websites, video essays, etc.) which provide information that help support your arguments being made. In this column include the specific source citations.Summarize the detailed information from the secondary source that you can use in this column. (You can copy+paste if they are from online sources.)

*Add more rows as needed.

9. Writing Your Narration

  • Set a timer
  • How much time did you spend on the first draft: ? 
  • How much time did you spend on the final draft: ? 

Using the information, scene choices, and external sources you have compiled in steps 6-8, you will now write your voiceover narration and match it up to your chosen visual examples.

Length (</= 10 Minutes)

  • For the final Comparative Study, your narration should be no longer than 10 minutes in length.

Remember that you need to:

  • COMPARE and CONTRAST your two chosen film using the arguments and evidence you identified in parts 6-8, above
  • Begin your narration with a detailed justification for the chosen cultural contrast
  • Use an equal balance of the two selected films.
  • Write in a third-person voice to construct your argument (similar in tone to your Extended Essay and other
    comparative analytical work you have written in Film class).
  • Identify where any WRITTEN TEXT will appear on the screen and highlight this (to reference during the
    creation/editing stage)
Which Visual Evidence/Scenes line up to this part of the narration?Voiceover Narration Ideas

Formatting Guidelines

Screenshot from Celtx.com

10. Assembling the Comparative Study

  • Set a timer
  • How much time did you spend:  ? 

Now you will collect all media resources needed for the task and construct your video essay.

REQUIRED STEPS

  • Import the digital copy of your chosen films into editing software
  • Identify and extract chosen scenes and clips
  • Place and edit clips into a rough timeline for your video essay
  • Record audio narration (both partners should participate in narrating this practice task)
    into an audio file using recording equipment (Zoom recorders, iPhone, DSLR Rode video
    mic, etc.)
  • Import your recorded narration audio file into your project timeline
  • Assemble, edit and fine-tune clips and narration until your video essay takes shape
  • Create and add any required textual information in the timeline (including black slate at the start)
  • Audio mixing of narration and movie clips (adjust levels so that narration and movie sounds complement each other)
  • Export the final video essay movie file
    • Upload Unlisted draft to YouTube for peer review

11. Create Works Cited

  • Set a timer
  • How much time did you spend:  ? 
  • Create Works Cited document separately (Google Doc)

Examples of Possible Task Components

Area of film focusFilm 1Film 2A possible topic for comparative study
Film movement: German ExpressionismThe Cabinet of Dr. Caligari (1920)Edward Scissorhands (1990)How and with what effect are specific film elements of German expressionism used within a chosen contemporary film?
Film movement: French New WaveBreathless (1960)Badlands (1973)The influence of the French New Wave on New Hollywood’s use of innovative film elements in its representation of youth and violence.
Film genre and film style: Black comedyNo. 3 (1997)The Big Lebowski (1998)To what extent do “black comedy” films differ according to cultural context?
Film theory: Soviet MontageBattleship Potemkin (1925)Koyaanisqatsi (1982)To what extent are specific features of Soviet montage theory faithfully employed in a contemporary experimental film?

External Assessment Criteria SL and HL

Peer Review Checklist

TASK COMPONENTS (ACTION)Notes / Suggestions
__Assemble Findings
__Develop a personal and critically reflective perspective
__Identify and gather appropriate audio-visual material to support the study
SCREENPLAY
__Justify the chosen topic and selected films
__Make sure that the text is in a formal academic register (can be in the 1st person)
__The balance between visual and spoken elements
__Make clear reference to your sources as on-screen citations (text on-screen)
__Make sure the primary weight of evidence for the study from the two chosen films
__Make sure each film is given equal consideration
__Make sure film language information is communicated clearly throughout (avoid “to be” verbs – make statements like “blah is this.”)
__Make sure information is communicated logically rooted in film language
__Have another student highlight the WHAT WHY HOW in your draft screenplay
VIDEO ESSAY
__Recorded voice and edited commentary numerous times until happy with the material
__Make sure your name and the school’s name ARE NOT IN THE ESSAY
__Make sure to have 10-second title card with:1. Area of film focus2. Titles of the two films for comparison3. The chosen topic
__Include breaks in your recorded commentary to enable other audio-visual material included in the study to be clearly heard (if needed)
__Make sure film clip length matches points being made
__Make sure still images have citations on-screen if you have them
__Make sure text on-screen is legible and spelled correctly
__Make sure information is communicated audibly (levels are good for all sound)
__Make sure information is communicated visually appropriate manner
__Make sure background music is from Creative Commons and is cited
__Make sure edits are clean
__Make sure the presentation is 10 minutes maximum, including title card and credits
__Make sure two films are listed in sources

Film Analysis: Do the Right Thing

Summary

  • IN ONE TO TWO SENTENCES, DESCRIBE WHAT FILM YOU ANALYZED FOR THIS PROJECT AND WHY YOU CHOSE IT
  • DELETE ALL OF MR. LE DUC’s ALL UPPERCASE INSTRUCTIONS ABOVE

Film Analysis

Film TitlePLACE YOUR RESPONSES IN THIS COLUMN (DELETE THIS MESSAGE BEFORE YOU WRITE)
Year1989
DirectorSpike Lee
CountryUSA
GenreComedy, Drama, Comedy Drama
If you could work on this film (change it), what would you change and why?

Film information can be found at imdb.com

As you view films, consider how the cuts, camera angles, shots, and movement work to create particular meanings. Think about how they establish space, privilege certain characters, suggest relationships, and emphasize themes. In addition to shot distances, angles, editing, and camera movement, note details of the narrative, setting, characters, lighting, props, costume, tone, and sound.

Ask yourself the following questions:

TOPICYOUR NOTES
1. Who is the protagonist?
2. Who is the antagonist?
3. What is the conflict?
4. What is the theme or central, unifying concept? (summarize in one or two words)
5. How is the story told (linear, non-linear, with flashbacksflash-forwards, at regular intervals)
6. What “happens” in the plot (Brief description)?
7. How does the film influence particular reactions on the part of viewers (sound, editing,
characterization, camera movement, etc.)? Why does the film encourage such
reactions?
8. Is the setting realistic or stylized? What atmosphere does the setting suggest? Do particular objects or settings serve symbolic functions?
9. How are the characters costumed and made-up? What does their clothing or makeup reveal about their social standing, ethnicity, nationality, gender, or age? How do costume and makeup convey character?
10. How does the lighting design shape our perception of character, space, or mood?
11. How do camera angles and camera movements shape our view of characters or spaces? What do you see cinematically?
12. What is the music’s purpose in the film? How does it direct our attention within the image? How does it shape our interpretation of the image? What stands out about the music?
13. How might industrial, social, and economic factors have influenced the film? Describe how this film influences or connects to a culture?
14. Give an example of what a film critic had to say about this film. Use credible sources and cite sources.Example: “The Shawshank Redemption Movie Review (1994) | Roger Ebert.” All Content. N.p., n.d. Web. 24 June 2015.
15. Select one scene no longer than 5 minutes that represents well the whole film and shows relevant cinematic elements. Write a one-sentence description of the scene and record the time of the scene.Example: from 1:05:00 to 1:10:00.Explain why you chose this scene.PLACE THE TIME STAMP FROM THE SCENE HERE… Example: 00:00:00 – 00:05:00 
16. In the selected scenewrite a sentence for each of the elements below to justify why this scene best represents the film:
a. Screenwriting:goes from aggressive shouting to more shallow words
b. Sound Design:
c. Camera Movements/Angles:isolated shots – arguing,
both in same shot – not arguing, camera wobbly while the two are arguing, camera low while the two aren’t arguing to show “power”
d. Light Setup:shadow is casted over the pizza shop to show that it’s “done” or “dead”
e. Soundtrack/Score:music switches from classical jazz Mookie and sal are done talking
18. What’s the socio-cultural context of this film?

This worksheet was developed with ideas from many IB Film teachers, thus should remain in the Creative Commons

Mr. Le Duc’s Film Analysis Resources

Production Project TEMPLATE

broken-computer- edited

broken-computer- edited” by an-e is licensed under CC BY 2.0 .

SUMMARY

Role

Editor

Intention (SMART Goal)

By November 1st, as part of team 6, I will have evidence of organized shots, audio, and timeline by following The 7 Laws of Film Editing.

PRE-PRODUCTION – INQUIRY

Leader(s) in the Field / Exemplary Work(s)

Michael Kahn – an editor who has been nominated at the Academy Awards 8 times for Best Film Editing and has won 3 of them.

Training Source(s)

The 7 Laws of Film Editing

CueNotes
7 lawsWatch every frame of raw footage, at least twice, then start
Nurture your relationship with the director
Find any shot instantly. Organization is paramount
Factor in extra time for renders, exports, errors, and crashes
Attempt edits that shouldn’t work
Spend more time on audio
Cut for the scene but always in context for the whole film

Project Timeline

DayTask
1Story board
2Story board
3Begin filming
4Finish filming
5ADR
6ADR
7ADR
8ADR/Edit
9Edit
10Edit
11Edit
12Edit
13Make sure everything is done and finish film

PRODUCTION – ACTION

The (FILM, SOUND, or GAME Creation)

Skills Commentary

POST-PRODUCTION – REFLECTION

21st Century Skills

Ways of Thinking (Creativity, Innovation, Critical Thinking, Problem Solving)

Ways of Working (Communication & Collaboration)

Tools for Working (Info & Media Literacy)

Ways of Living in the World (Life & Career)

Reactions to the Final Version

Self-Evaluation of Final Version

Grammar and Spelling

Editor

Citizen Kane Research

The Battle Over Citizen Kane

CueNotes
CareerWelles career was built off controversy
Welles exuded so much power and authority
Welles first play for the theater was Julius Caesar
Welles first directed Macbeth when he was 20
Julius Caesar was the greatest Shakespeare play in America
Welles would come up with shows right before it would be aired on radio
Fake news broadcast got Welles contact from Hollywood

DocudramaRKO 281

CueNotes
What are movies about?People want make-believe and not real life

Orson Welles Interview on Citizen Kane

CueNotes

EE Notes

Movie Cookies“Movie Cookies” by Kiss My Buttercream is licensed under CC BY-NC-SA 2.0

CueNotes
What is it?It gives an opportunity to undertake an in-depth investigation into a topic of film of particular interest
tell stories, create emotional response, give information
Research topicmust clearly focus on film or television(obviously)
What sources can I use?Primary – film, script, screenplay, score, and personal contact or correspondence with individuals involved in making the film
Secondary – journal/magazine articles, reviews, DVD extras, promotional material, and internet material
CriteriaCriterion A – topic, research question, methodology
Criterion B – context, subject specific terminology and concepts
Criterion C – research, analysis, discussion, evaluation
Criterion D – structure, layout
Criterion E – reflections on planning and progress

Summary

The film extended essays assess our ability to tell stories, create emotion, and give information based on research of a topic that interests us and will be graded based on certain criteria.